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Nokomis

 
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Presented by: Red Beti Theatre
From the stages of Decolonise Your Ears straight to Carter Park, Nokomis the Play tells an unforgettable story about the pain and the joy of reclamation.
 
Join us on for an interactive excerpt from Nbwaachaadaa Nokomis. Here on the land we will recreate spaces for agency, healing and solidarity through embodied imagination and remembering who we all are and who we have the capacity to be.

 

Play Information

  • Written by: Danielle Boissoneau

  • Directed by: Nada Abusaleh

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Performance Dates

  • September 3, 4, 5 & 6, 2026

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Show Time

  • Arrival: 6:30 PM

  • Showtime: 7:00 PM

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Venue: Carter Park, 32 Stinson Street, Hamilton

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Get your tickets here: Buy Tickets

We’d love to see you there!

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(Note: Cash payment is accepted onsite)

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This event is weather permitting, so keep an eye on our socials @redbetitheatre. Bring a blanket or a chair, and bug repellent of your choice! ​

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A Note from the Playwright

 

I knew I needed to write a play for years. There was something that needed to be said about the silence, maybe over tea with our grandmothers and when those spaces can’t exist, we have the stage, the land, to hold us instead.


The play you’re about to witness this evening is an iteration of the longer three act play we know as Nbwaachaadaa Nokomis. Tonight’s play is an invitation to engage with perspective, possibility and purpose.


This play was written to help soften the spaces between daughters, mothers and grandmothers. Nbwaachaadaa Nokomis is a story of justice, reclamation and healing. It’s about naming the harm, feeling the pain and even so, sometimes the love too. It looks more closely at the impacts of being a residential school survivor and the intergenerational power that flows through our bodies nonetheless.


Indian Residential Schools is a horrific event in Canadian history that’s all too recent. Among various things, Nokomis invites you to feel what it could have been like if you could have intervened, if you had a say. It also invites you to think about what you can do now. Writing this play gave me the space to be held.


I am so thankful to Red Beti Theatre, Radha, Alma, Wilhamena, Nada, Melissa and everyone who has ever helped me bring this play to life.
The invitation to possibility is one of the greatest gifts I can offer as a playwright. I hope you enjoy tonight’s play

Our Cast
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Playwright

Danielle Boissoneau

Danielle Boissoneau is an Anishinaabek writer, poet, storyteller, playwright, screenwriter, and creative facilitator and guide. Her work emerges from her deep love of her people, the land, water and her community. Danielle's creative practice moves across writing, performance, theatre, film, and artistic facilitation, with resurgence, relationship, memory, and possibility at its core.  

She is the playwright of Nbwaachaadaa Nokomis, the screenwriter of Nenaboozhoo, an Anishinaabemowin short film that premiered at the 2026 imagineNATIVE Film + Media Arts Festival in Toronto, and the author of Bury My Heart at King and James, a collection of essays and poetry published by Hamilton Artists Inc.

As an artistic facilitator and guide, Danielle creates spaces for people to engage with story, language, memory, relationship, and purpose. Danielle has two cats, a garden and an ever expanding record collection. 

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Producer

Alma (She/Her)

Alma is excited to be the Producer for this iteration of Nokomis. Other producing credits include Associate Producer and Executive Director for Tottering Biped Theatre's Shakespeare by Nature project. Alma is also an actor and arts advocate in the GTHA with a passion for elevation and instruction in the arts.

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Director

Nada Abusaleh

Nada Abusaleh is a performer, theatre-maker and artistic producer based in Hamilton. Nada often works collaboratively on new devised projects, and has worked with Cosmic Fishing Theatre since 2018, creating and producing experimental performances. She is a graduate of the University of Waterloo where she studied Theatre & Performance. Select performance credits include This Is Not What I Want to Tell You (Rimah Jabr); Last Landscape (Bad New Days); The Last 15 Seconds (MT Space); Suitcase (7Spices Theatre); Twelfth Night (Tottering Biped Theatre); and The B Party (Cosmic Fishing Theatre).

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Actor 

Elder Wilamina McGrimmond

Elder Wilamina McGrimmond is a cherished child of the creator and a proud member of the Frog Clan, Tl'azt'en Nation, working with the healing strength of the Bear spirit. She is a beloved sister, wife, mother, grandmother, great grandmother, auntie, teacher, drummer, sewer, friend, and devoted steward of the earth. Her community leadership has been recognized through prestigious honors, including the Women who Rock and the YMCA Women of the Year Spirit Award. Each week, she shares indigenous culture and wisdom by teaching sewing and native history-bringing hearts, minds and hands together in a powerful expression of healing and heritage. She is the founder of the Spirit Bear Drummers. 

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Actor 

Jordan Carrier

Jordan Carrier is a proud nêhiyaw-iskwêw (Plains Cree woman), born and raised in Regina, Saskatchewan, and a member of Piapot First Nation in Treaty Four territory. Since making Hamilton her home in 2002, she has dedicated herself to strengthening community through advocacy, education, storytelling, and the arts.

 

Jordan holds a Diploma in Native Community Care from Mohawk College, a Bachelor of Education in Aboriginal Adult Education from Brock University, an Honours BA in Indigenous Studies from McMaster University, and a Master of Arts in Social Justice and Community Engagement from Wilfrid Laurier University. Over the past two decades, she has worked across community, academic, and national sectors.

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A passionate storyteller and community leader, Jordan is the creator and host of the podcast One Dish, Many Stories, which explores Indigenous narratives on the lands known today as Hamilton, Ontario. She is also the co-creator of Call Her Matriarch with Nicole Kewageshig, a podcast dedicated to uplifting and reclaiming Indigenous women’s voices.

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Jordan’s involvement in the performing arts includes serving as an Indigenous Programming Consultant and member of the Community Curators Circle for the Hamilton Fringe Festival. She was a featured storyteller in the 2022 Frost Bites Festival presented by Hamilton Festival Theatre Company and hosted the Decolonize Your Ears New Play Festival in 2025. Whether on stage, behind a microphone, or in community spaces, Jordan is committed to creating opportunities for Indigenous stories, voices, and perspectives to be heard, celebrated, and remembered.

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Actor 

Leah Drury

Leah Drury as Nun - Leah is always so happy to be working with the fine people at Red Beti Theatre.  With this work in particular it’s so important that we as Canadians and as humans listen to these stories of what happened in our recent history.  It’s time we learn with the utmost respect from each other. 

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Actor 

Adam Lemieux

Adam Lemieux is a born-and-raised Hamilton actor. Theatre: Within the Glass (Hamilton Theatre Project); The Damage Done (Hamilton Fringe); Normal Shmormal (Open Heart Arts Theatre, Winner of Best of Galleries Series); The Distance Between Us and the Sun (The Take Up, Frost Bites); The Humans, Death of a Salesman (Dundas Little Theatre); Your Own Sons, TEST (Same Boat Theatre). Film: The Take (Bawaadan Collective); East End (Nathan Fleet) Massacre at Femur Creek (Kyle Hytonen); He’s been a member of Theatre Aquarius’ Junction Program for Theatre Creators and the Hamilton Fringe’s Artistic Leadership and Entrepreneurial Training Program. When he’s not acting, Adam is an avid reader and thrifter-of-cool-sweaters.

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Stage Manager

Charlie

Charlie is thrilled to be the Stage Manager for Nokomis. He is a dramaturg and multidisciplinary artist who loves to work behind the scenes in theatre in any capacity. He hopes you enjoy the production all these wonderful people have worked to put on. 

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Sound Design

Gurpreet

Gurpreet is inspired by creative collaborations that lead to a deeper understanding of the self and others. Trained in the Punjab Gharana (School), the Tabla language is an integral part of how he thinks, feels and communicates. He believes in the power of effective communication and is motivated by the opportunity to improve how systems operate through his artistic practice.

 

In recent years Gurpreet’s work has been at the intersection of music & technology as co-founder of SURmUN. His background in music, engineering, and supply chain management have allowed him to re-imagine creative processes and develop digital hardware instrument designs that ergonomically and ethically bridge the world of the traditional with digital. By connecting musicians trained in traditional art forms to the digital world, SURmUN aims to inspire conversations that matter by opening new forms of musical expression.

SPECIAL THANKS TO

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Red Beti Theatre

info@redbetitheatre.org

For Media Inquires: media@redbetitheatre.org

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270 Sherman Ave N Hamilton, ON L8L 6N4

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Administration Hours
10:00 AM - 6:00 PM EST, Monday to Friday

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For general queries, please contact info@redbetitheatre.org

To audition, please email submissions@redbetitheatre.org

To request permission to make a play submission, please email radha@redbetitheatre.org

*We do not accept unsolicited play submissions.

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We want to acknowledge the Aboriginal people of Turtle Island, especially in this place now called Hamilton, covered by the Dish with One Spoon Wampum Belt Covenant, as well as, the Between the Lakes Purchase 1792, which was an agreement between the Mississaugas of the Credit First Nation and the Crown, but also, the traditional lands of the Haundenasaunee Confederacy, Wendat, Nuetral and other Nations acknowledged and unacknowledged, recorded and unrecorded.
 
This acknowledgement isn’t enough. How can it be? Only action will suffice.
 
As settlers on Turtle Island, it’s our duty to respect and protect its living beings, human, non-humans, forests, lakes and mountains.
 
We wish and hope for Indigenous Sovereignty, knowing it will never right the wrongs inflicted in the name of progress under Colonialism: It will never return children home.

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